Time for some new release vinyl. It’s been coming in the past few weeks. Now that the weather has seemingly turned the corner music is just sounding that much better! As always a sample track (if available) will be posted below the album release info. Tough choice to have to pick a top release from this amazing list, of course I have to go with Eels, heck our kid’s middle name is Everett after Mark Oliver Everett, but the EP from Your Friend catches me every time I hear it, and I’m also loving Death – III, it’s just the kind of music I dig for this good weather. What are you guys listening to and loving lately?
Don’t forget about our Soundcloud stream it would have popped up when you got to the website or you can CLICK RIGHT HERE!, if you have internet access wherever you are, it’s like radio with interesting/different music that you may not have heard, and no commercials.
Crash – Hardly Criminal – LP
Produced and engineered by the multitalented Ed Sharpe lead guitarist, Mark Noseworthy, (and featuring friends from the Zeros, Dawes, The Mystic Valley Band and more…) Hardly Criminal is the culmination of all that is strange and sad, hilarious and harmonious, about crash’s own true tale. It is story – moving, funny, weird, and stunningly beautiful.
You can hear the South, yes, Neville swing and Dr. John ju-ju, but you can also hear smooth soul, booty funk, and ragged folk, a mix of sounds taken from his past and pushed into the future, all accompanied by a deadpan storytelling prowess and a voice like a Cajun Prince (as in “The Artist Formerly Known As”). Hardly Criminal is the sum of crash’s best parts – the sonic celebration of his story so far. So, set down a spell, cool yer bones, cher… and listen.
Eels – Cautionary Tales of Mark Oliver Everett – LP or CD
THE CAUTIONARY TALES OF MARK OLIVER EVERETT, is an extraordinarily vivid and intimate document of a personal struggle. “It’s inspired by something I went though,” Everett says. “Someone I lost, by choice, and later came to regret losing. It wasn’t until I started to look at my role in it that it began to feel like I was getting somewhere worthwhile. The experience transformed me. This is the musical version of that experience. I’m hoping it could maybe serve as some sort of example for others. To learn from my mistakes.” Quite different to the previous EELS release, and in contrast to the high-octane rock n’ roll of the last EELS tour, THE CAUTIONARY TALES couples a bare-bones lyrical intimacy with a live orchestra of cello, viola, violins, bassoon, English and French horn, clarinet, flute, saxophone, trumpet, musical saw, glockenspiel and celesta that lends a stunning backdrop to the brutal insights of the lyrics.
Woods – With Light and With Love – LP or CD
Vinyl packaged in deluxe gatefold jacket and includes digital download. “Woods’ brand of pop shamanism has undergone several gradual transformations over their past few albums, but on With Light and With Love, the tinkering reveals an expanded sonic palette that includes singing saw, heavier emphasis on percussion, and a saloon piano that sounds like it was rescued from a flooded basement. Distinct from both the stoned volk of their earliest recordings and the kraut-y dalliances of more recent fare, With Light and With Love showcases a more sophisticated brand of contemporary drug music that owes more to Magical Mystery Tour than motorik. If you’ve ever thought of Woods as a pop group comprised of weirdos, or a weirdo band that happens to excel at playing pop songs almost in spite of itself, With Light and With Love provides a corrective in the form of songs that show these two elements as natural, inextricable bedfellows. Throughout the album, vocals are frequently emitted through Leslie speakers and guitars perform one-string ragas like Sandy Bull reared on shoegaze and skate videos. With Light and With Love is an album of deeply psychedelic, deeply satisfying songs for a new age of searchers, of Don Juan and Animal Chin alike.” – James Toth
Your Friend – Jekyll / Hyde – EP
Jekyll/Hyde is the debut EP by Taryn Miller who records under the moniker, Your Friend.
Fusing warm atmospheric guitars with a focused and emotionally rich sense of song craft, Your Friend presents a keen balance of experimentation and structure. Momentum carries these creations through dramatic shifts that feel surprising, inevitable and always authentic. Fragmentary and evocative, Miller’s lyrics are a collage of details taken from her life as well as her friends and family. Born in her bedroom and developed on stage, Miller describes the record as “deeply personal. For a long time it was hard to play these songs out because they were written for myself.”
Pixies – Indie Cindy – LP
Deluxe 2 LP – 180g – Gatefold – Contains download card plus added bonus not available in any other album package. Their first album in over 20 years! Indie Cindy comprises of 12 new tracks, and was produced by Gil Norton (who helmed the band’s previous albums Doolittle, Bossanova, and Trompe Le Monde), in October, 2012 at Rockfield Studios in Wales. The album’s artwork (pictured below) was created by graphic designer Vaughan Oliver, who has produced the cover art for all of Pixies’ previous releases. “We started seriously talking about recording new music about four years ago,” said Pixies drummer David Lovering, who completes the band with frontman Black Francis and guitarist Joey Santiago. “New music seemed like something we just had to do, we just couldn’t continue to go out and tour without anything new. So the talk evolved into writing and recording, and we’re all very happy with the way everything worked out.”
Warm Soda – Young Reckless Hearts – LP
Matthew Melton has done it again! Just when it seemed as though he’d reached the pinnacle of power pop confection with last year’s excellent Someone for You, he surpasses all expectations with his latest masterpiece Young Reckless Hearts. With the unlikely addition of cello serving only to bittersweeten their teenage pop fantasias, Warm Soda delivers deviously barbed hooks that instantly lodge themselves in your memory. The wide-screen technicolor production was done by Melton himself at his Fuzz City Studios in Oakland. This is the record to fall in love to (or possibly out of love to) in 2014.
Thee Oh Sees – Drop – LP or CD
Our lad John P. Dwyer has been lancing eardrums with Thee Oh Sees in an ever-escalating flurry of records for the past six years. Since the release of The Master’s Bedroom Is Worth Spending a Night In announced a new loud era (and excepting a few momentary detours into home-baked territory – Dog Poison and Castlemania, for example), Dwyer and company have pummeled a bit harder each time out, cementing their reputation as a live force to be reckoned with and leaving legions sweaty and bruised in the process. Late last year, after years of relentlessly touring the world, the word got out.. Dwyer’s moving to Los Angeles (fear not, still California!) and Thee Oh Sees are taking a much-needed hiatus with a shifting of gears ahead and a new album on the way. This is that album. Drop was recorded in a banana-ripening warehouse (no joke) with hair-farming studio warlock Chris Woodhouse playing drums; it’s also graced with the presence of talented gurus Mikal Cronin, Greer McGettrick and Casafis adding horns and vocals. The result pushes the familiar polarities of the group farther outward than ever before.
Death – III – LP or CD
Five years after the second life of Death was started with the release of their revelatory 1976 album, For the Whole World to See, Death III slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, Death III contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they’d stopped playing together. Death III serves as a companion piece of sorts to the A Band Called Death documentary, tracking the band’s movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney’s visual representation of Death was a triangle, where ‘spiritua’, ‘mental’ and ‘physical’ formed the three angles. With this in mind, For the Whole World to See is clearly the physical corner, with its undeniable proto-punk power; Spiritual-Mental-Physical explores the mental axis, with Death working through some of their influences – including The Beatles, Jimi Hendrix, The Who and even ELO – in their practice space. Death III is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.
The Afghan Whigs – Do to the Beast – LP
Do to the Beast is the first new album by The Afghan Whigs in over a decade and a half. Founded in Cincinnati, Ohio, in 1988, the band has long stood out from its peers, with their savage, rapturous blend of hard rock, classic soul, and frontman Greg Dulli’s searing obsessions. The new album serves as both a homecoming – it marks their return to Sub Pop, for whom the Whigs were the first signing from outside the label’s Northwest base – and a glimpse into the future of one of the most acclaimed bands of the past thirty years.
Do to the Beast proves an appropriately feral title for one of the most intense, cathartic records of Dulli’s entire career – one that adds fresh twists to The Afghan Whigs canon. On it, one finds the film noir storytelling of Black Love, the exuberance of 1965, the brutal introspection of Gentlemen, but rendered with a galvanized musical spirit and rhythmic heft that suggests transcendence and hope amidst the bloodletting. “A lot of records I’ve done stemmed from epochal experiences in my life – and this time I’ve used them all,” Dulli says. “These new songs are very visual to me. They come from the neighborhoods of my mind. It’s like Rashomon, with the story told from different points of memory.”