It’s Friday which usually means some new releases hit the shop. This week we have three releases we are featuring. We’ve been waiting for the new Coathangers album since it was announced and immediately opened a copy when it came in to the shop, it’s soooo good! Also, we have highly anticipated new releases from Bear Hands and Suuns, check out all the details below.
Bear Hands – You’ll Pay For This
Wesleyan graduate Dylan Rau started indie electro quartet Bear Hands during an especially tumultuous time in his love life. Interpersonal drama and changing romantic tides served as his inspiration for writing dozens of new songs. Needing an outlet to unleash this creative fury, Rau called on his school friend Ted Feldman and fellow Brooklyn musicians Val Loper and T.J. Orscher to bring the band to life. Their first release came in the form of 2007’s Golden EP, which quickly gained them attention both locally and nationally. Lots of touring ensued, including opening spots for like-minded larger acts like Vampire Weekend, Passion Pit, MGMT, and Mayer Hawthorne. More small-scale releases followed, as did international touring that included Brazilian dates with Chairlift. In 2010, Bear Hands released their debut full-length, Burning Bush Supper Club, followed by more singles and the 2012 EP Songs from Utopia, Vol. 1. Their second album, 2014’s Distraction, yielded a surprise Top Ten hit on Billboard’s Alternative charts with lead single “Giants.” Their increased exposure landed them slots at major festivals like Coachella and Lollapalooza, as well as their first network TV appearance on Conan. For their follow-up, 2016’s You’ll Pay for This, Bear Hands launched their own label Spensive Sounds. ~ Fred Thomas
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The Coathangers – Nosebleed Weekend
Nosebleed Weekend kicks off with “Perfume”, a song that marries sultry pop vocals with toothy guitar riffs in a manner that would make Ann and Nancy Wilson proud. It’s hard to imagine The Coathangers writing a song this accessible in their early years, but in 2016 it fits perfectly into their canon. From there the band launches into “Dumb Baby”, which harkens back to the gritty neo-garage rock of Murder City Devils. Longtime fans who still clamor for their brash post-punk angle will be immediately satiated by “Squeeki Tiki”. And after hearing the noisy loud-quiet-loud bombast of “Excuse Me?” it’s no wonder that Kim Gordon has become an outspoken fan of the band. It’s an eclectic album inspired by life on the road, lost loved ones, and Kugel’s recent move to Southern California. “We always say that each record is a snapshot of our life at the time,” Kugel says. “As far as style… it’s just what came out of us at that point.” So whether it’s the foreboding garage rock of the title track, the post-punk groove of “Burn Me”, the stripped-down pop of “I Don’t Think So”, or the dynamic grunge of “Down Down”, The Coathangers command their songs with passion and authority.
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Suuns – Hold/Still
Hold/Still, the third studio album from Suuns, is an enigmatic thing: an eerily beautiful, meticulously played suite of music that embraces opposites and makes a virtue of cognitive dissonance. It is a record that does not give up its secrets easily. The 11 songs within are simultaneously psychedelic, but austere; sensual, but cold; organic, but electronic; tense sometimes to the brink of mania, but always retaining perfect poise and control. “There’s an element of this album that resists you as a listener, and I think that’s because of these constantly opposing forces,” says drummer Liam O’Neill. “Listen to the song ‘Brainwash’, for instance, “It’s a very soft, lyrical guitar song, existing alongside extremely aggressive and sparse drum textures. It inhabits these two worlds at the same time.”
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Hey that’s it! I did it! No mention of RSD today! Ahh crap.