New and recent releases now in stock.

Good day fine people. It’s Tuesday so that means new music is out. We have 9 albums to feature today, a couple have been out for a few weeks but the vinyl is now in stock. Also, Record Store Day is a little less than 3 weeks away. We currently have over 300 releases on order which will more than double our selection of new vinyl in the store. So needless to say we want to see you on April 19th! We will have details soon as to what is going on in store for the day. All I can say for now is we want it to be a party here and have got some exciting news. April 20th is our one year re-birthday when we took over Backbeat so it will be a weekend to visit the store for sure.

On with the tunes… and don’t forget to check out our Soundcloud stream here http://www.backbeatperth.com/2014-backbeat-soundcloud to listen to tracks from all our featured albums this year.

April 1

S. Carey – Range of Light – LP
The new album was recorded at friend and Bon Iver band mate Justin Vernon‘s April Base Studios in Wisconsin. On the collaborations from Vernon and Sean’s live band, Sean said “I just wanted to include them because these guys are my brothers…some of my best friends.” S. Carey’s work is a hugely beatific, restorative panorama of beauty – perfect given how landscape and the wonder of nature inspire much of Carey’s imagery. His new album Range of Light takes its title from the name that 19th century naturalist John Muir gave to the Sierra Nevada, and follows suit with a dazzling array of musical light and shade, drawn from Carey’s love of jazz, modern classical and Americana. Like a weathered mountain range changing shadow form and color, or the ebb and flow of a river’s current, S. Carey’s music is simultaneously restful and rhythmic, complex and simple, and always evolving.


Arc Iris – Arc Iris
– LP and CD
Arc Iris is the orchestral pop project of Jocie Adams, a former core member of The Low Anthem. The singer and multi-instrumentalist formed the collective to present her ambitious new songs. The band includes a collective of 4 musicians plus Jocie with additional players frequently joining to expand the sound further, to create their wild exploration of all kinds of musical styles – jazz, prog rock, blues, country, folk, and classical styles. Bob Boilen of NPR All Songs Considered calls the music “somewhat cabaret, somewhat orchestral folk, a bit of show tune and jazz band,” while The Deli Magazine writes, “the five-piece group had everything you could want in a live performance–intense energy, appreciation for performing and incredible talent.. they are something akin to a soul/folk/jazz amalgamation.”


White Hinterland – Baby
– LP
It has been four years since Kairos came out in 2010, and now Casey Dienel aka White Hinterland‘s newest album Baby is out now. Recorded in a self-built studio inside her old family home in Scituate, MA, Casey removes herself from the sprawling atmospheric production of Kairos and hones her sound with focused, confident production and a present narrative. Baby is about facing your fears and making the most out of your situation, being bold and pushing forward past opposition. On the new record Casey says “the themes of this record to me are personal agency, strength, growth, determination…and to get those things is usually fucking terrifying and comes with casualties and loss.” Joining Casey on the new record includes acclaimed artists Sean Carey (Bon Iver, S. Carey), Neal Morgan (Joanna Newsom, Bill Callahan), and Cole Kamen-Green (Beyoncé).


Rafter – It’s Reggae
– LP
Rafter’s latest record, out now, is an ode to reggae, fueled by a trip to Maui, lots of late nights, and pure love. Rafter titled the album It’s Reggae. How appropriate!


Busman’s Holiday – A Long Goodbye
– LP
Busman’s Holiday is Lewis and Addison Rogers, brothers of melodic charm and ecstatic showmanship. Lewis plays guitar, and Addison plays drums. The singer/songwriter duo are occasionally accompanied by a string section who fill out their complexly euphonic ballads of love, loss, lust and outer space. Born and raised in Bloomington, Indiana, the pair has toured the U.S. and Canada extensively the past four years, appearing on WNYC’s Radiolab, Daytrotter, and backing Jens Lekman.
Their debut full-length album, A Long Goodbye, was recorded in the legendary studio-in-a-church owned by Arcade Fire outside Montreal not long before Arcade Fire had to abandon it due to a collapsing roof. It was recorded and produced by Mark Lawson (Arcade Fire, Islands) and mixed by Drew Vandenberg (of Montreal, Kishi Bashi). Also appearing on the album are Jamie Thompson (The Unicorns, Islands) and Sebastien and Alexander Chow (Islands).


Foster The People – Supermodel
– LP or CD
Supermodel is the highly anticipated new album from Foster The People featuring first single “Coming of Age.” Produced by Paul Epworth, the globally influenced album is the follow-up to the group’s critically acclaimed 2011 debut Torches. Recorded in various locations around the world, Supermodel began as frontman Mark Foster and producer Paul Epworth set up a writing studio in a riad in Essaouira, Morocco at the end of 2012. “We didn’t have any rules. We just created as much as we could in seven days,” Foster recalls, “And in the spirit of wanderlust and discovery we ended up stumbling on the musical identity of what this record was going to feel like.” From Morocco the album continued to migrate with Foster and the band. Work continued at Woodshed Studios in Malibu, Henson Studios and Bronson Island in Los Angeles and was finished at Epworth’s Wolf Tone Studios in London. Foster the People achieved success with the 2011 release of their debut album Torches, featuring the #1 hit single “Pumped Up Kicks,” which was declared “the year s anthem” by SPIN. Foster the People garnered three GRAMMY nominations for their monumental debut, including Best Alternative Album, Best Pop Duo/Group Performance for “Pumped Up Kicks” and Best Short Form Music Video for “Houdini.”


Saintseneca – Dark Arc
– LP or CD
Saintseneca, a young band from Columbus, Ohio led by singer-songwriter and multi-instrumentalist Zac Little, release their ANTI- debut Dark Arc on April 1st. While the group formed in Columbus, a majority of Saintseneca’s members, including songwriter Little, hail from the rural hills of Appalachia, a landscape that has infused the group’s evocative music with a deep sense of introspection. Following in the footsteps of heartland bands who have sought to twist the music of the old weird America into new shapes – from the Violent Femmes to Neutral Milk Hotel – Saintseneca perform songs that sound familiar and utterly strange, all at once. As an introduction to the band, ANTI- released a 7″ single featuring ‘Uppercutter’ this fall, a haunting song anchored by throbbing acoustic guitars, atmospheric piano and Little’s soaring vocals, which quickly became a press and indie retail favorite. Now with Dark Arc, Saintseneca deliver on Pitchfork’s promise of “a sonic fullness Saintseneca only hinted at previously.”


Jakob Skøtt – Amor Fati
– LP
Causa Sui drummer Jakob Skøtt returns with his 2nd full length in his own name. Taking the leap from his debut Doppler’s introvert kosmische synthesizer dronescapes diving into a full blown mad scientist one-band mode, Jakob straps on a wide array of heavy percussive modes to fuel his vivid utopia of analogue synths and drums. It’s one man’s vision as crazed and intoxicated as it is soothing and compelling, borrowing as many clues from afro-beat, latin-grooves and new age-ambience as it does from the booming legacy of krautrock. The proceedings are distanced from both coolness and kitsch, and a refreshing break from any standards. Mantis in Lace kicks off the record with a thick repetitive bass synth riff, on top of two drum kits battling to spontaneously combust. On top of that a heavy percussive layer of echo-addled synthesizers is working out a path of it’s own: An opening statement constantly collapsing on itself. Synthemesc takes a calmer, yet insisting percussive mode of full bodied Moog-tone carrying the track into a John Carpenter-ish landing. Araucaria Fire straps on congas for a more exotic journey into an organ riddled percussive climax, recollecting Trans Am and Tony Williams Lifetime. Side B lends to a more subtle start, with two tracks of electroorgasmic psychedelic bliss, leading the way into the heart of the title track – a heavy slice of funk as dense as any 4-piece band could have cooked it up. Earth of no Horizon lands the spaceship safely with echos of Terry Riley or Vangelis. Amor Fati is unique blend of improvisation, as well as carefully structured climaxes and shifts.


Cloud Nothings – Here and Nowhere Else
– LP or CD
On their third full-length, Cleveland-bred outfit Cloud Nothings give joy a hard, sharp edge. “I was feeling pretty good about everything so I just made stuff that made me happy,” says founding member and mild-mannered chief songwriter Dylan Baldi of Here and Nowhere Else. “I had nothing to be angry about really so the approach was more positive and less ‘fuck everything.’ I just sat down and played until I found something that I like, because I was finally in a position to do that.”Utilizing every possible opportunity to write while on the road for 18 consecutive months following the release of 2012’s Attack on Memory, Baldi presented an album’s worth of new material to his bandmates with just days before they’d enter the studio with esteemed producer John Congleton. “I’m pretty sure every song was written in a different country,” he says. “It’s the product of only having a couple of minutes here and there.” But Cloud Nothings would enjoy a full week with Congleton at Water Music in Hoboken, New Jersey, followed by three days of mixing at his own studio in Dallas shortly thereafter. The result is Cloud Nothings, refined: impossibly melodic, white-knuckle noise-rock that shimmers with sumptuous detail, from Baldi’s lone, corkscrewing guitar to his dramatically improved singing to bassist TJ Duke’s piledriving bass lines and drummer Jayson Gerycz’s volcanic fills.

 

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